These citations were taken from Writing Passion: A Catullus Reader.

Feel free to add additional citations below.

Ancona, Ronnie. “The Untouched Self: Sapphic and Catullan Muses in

    Horace Odes 1.22.” In Cultivating the Muse: Struggles for Power and Inspiration

    in Classical Literature, edited by Efrossini Spentzou and Don Fowler.

    Oxford: Oxford University Press, 2002: 161–86.

Finamore (see Poem 50).

Frank, R. I. “Catullus 51: Otium versus Virtus.” Transactions and Proceedings of

    the American Philological Association 99 (1968): 233–39.

Fredricksmeyer, Ernst. “On the Unity of Catullus 51.” Transactions and Proceedings

    of the American Philological Association 96 (1965): 153–63.

Greene, Ellen. “Re-Figuring the Feminine Voice: Catullus Translating Sappho.”

    Arethusa 32 (1996): 1–18.

Kidd, D. A. “The Unity of Catullus 51.” Journal of the Australasian Universities

    Language and Literature Association 20 (1963): 298–308.

Kinsey, T. E. “Catullus 51.” Latomus 33 (1974): 372–78.

Miller, P. A. “Sappho 31 and Catullus 51: The Dialogism of Lyric.” Arethusa 21

    (1993): 183–99.

Newman, J. K. “Comic Elements in Catullus 51.” Illinois Classical Studies 8

    (1983): 33–36.

O’Higgins, D. “Sappho’s Splintered Tongue: Silence in Sappho 31 and Catullus

    51.” American Journal of Philology 111 (1990): 156–67.

Rankin (see Poem 43).

Thom, Sjarlene. “Confrontation with Reality in Catullus 51.” Akroterion 40

    (1995): 80–86.

Vine, Brent. “On the ‘Missing’ Fourth Stanza of Catullus 51.” Harvard Studies

    in Classical Philology 94 (1992): 251–61.

Wills, G. “Sappho 31 and Catullus 51.” Greek Roman and Byzantine Studies 8

    (1967): 167–97.

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