These citations were taken from Writing Passion: A Catullus Reader.

Feel free to add additional citations below.

DeBrohun, Jeri. “Ariadne and the whirlwind of fate: fi gures of confusion in

    Catullus 64.149–57.” Classical Philology 94 (1999): 419–30.

Faber, Riemer. “Vestis...variata” (Catullus 64, 50–51) and the Language of

    Poetic Description.” Mnemosyne 51 (1998): 210–15.

Konstan, David. Catullus’ Indictment of Rome: The Meaning of C.64. Amsterdam:

    Hakkert, 1977.

Putnam, M. C. J. “The Art of C. 64.” Harvard Studies in Classical Philology 65

    (1961): 166–205. (Reprinted in Putnam, Essays. Cf. book section of this

    bibliography.)

Tathan, Gail. “Ariadne’s mitra: a note on Catullus 64.1–4.” Classical Quarterly

    40 (1990): 560–61.

Thomas, Richard. “Callimachus, the Victoria Berenices, and Roman Poetry.”

    Classical Quarterly 33 (1983): 92–113.

Additional Bibliography:

Gaisser, Julia Haig. “Threads in the Labyrinth: Competing Views and Voices in Catullus 64,” AJP 116 (1995) 579-616.

Gardner, Hunter. “Ariadne's Lament: The Semiotic Impulse of Catullus 64,” TAPA 137 (2007) 147-179.

Knopp, Sherron E. “Catullus 64 and the Conflict Between Amores and Virtutes,” CP 71 (1976) 207-13.

Konstan, David.  “Neoteric Epic:  Catullus 64  59-78,” in A. J. Boyle, ed. Roman Epic (Routledge 1993) 59-78.

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